This is rough, I’m having issues with my text editor to get this coded correctly, hopefully I can knock this out before tonight’s tweetup. Until then here are the tweets, line by line. Enjoy.
LOST Game Changers – The 23rd Psalm
This is a classic episode, that it ends with Mr. Eko quoting the 23rd Psalm while fire engulfs the plane wreckage that became his brother’s tomb, isn’t the game changer… It’s just the capper of a very revealing episode, that twists in things from the first season, swirls it around with what we know of the second season, and sets up a chess piece for upcoming seasons.
The backstory of Mr. Eko is telling, he’s not afraid to do what is right to protect the people he loves, but he’s also all about getting the business done, the right way, even if it means bending the laws, rules, killing people. The way the story tell of Eko’s Nigerian gangster past is somewhat surprising that we know he was wearing a priest’s collar, and has a habit for etching bible verses in tree branches. How that story is told, while winding around the Heroin infused statues of Mary, then loading them on the yellow plane that Locke found, that had lead to Boone’s death just is classic twisty LOST story telling.
The game changer was the approach of the smoke monster, to Charlie’s sound of alarm to the face to face meeting of Smokie and Eko. The slow plan through the smoke as it takes it’s measure of Mr. Eko, with flashes of faces and times that we’d never encountered, made it another screen capture/pause/wedbetterwatchthatagain moment.
LOST – Game Changers – Orientation
Season 2 of LOST has so many good episodes and the third episode (after the vamping Adrift, second episode where much of the first episode was replayed from a different POV) has a few good head turners as the drama in the hatch is unveiled. After Kate, Jack and Locke make all nice with Desmond, well… okay, they didn’t make nice as so much distract Desmond by shooting the computer, and reducing poor Desmond to a freaked out electronics repairman. In order to save time, he tell Locke to check out the Orientation film in the library, while he tries to repair the computer with the bullet hole in it. I’m not sure if you can repair an Apple II computer with just a some solder and a spare resistor, but Dessie is just the man to try. As Kate runs to get electronic wizard and soon to be super spy Sayid to assist in the Nerd Herd emergency. Jack and Locke settle down the lounge with a Super 8 projector and we get our first look at the Dharma Initiative, and Dr. Marvin Candle (played wonderfully by Dr. Pierre Chang) and his odd artificial arm, explain to us about the Swan hatch and the protocol for saving the world.
As the film flips through the last frames, the camera focuses in on Locke and he says:
We’re gonna have to see that again…
And quite a few of us have, over and over and over again. That little bit of film started a craze of Dharma Initiative fandom that hasn’t stopped to this day. That we spend much of Season 5 encamped with the DI was wonderful to how well that was envisioned and portrayed by the writer’s and the production staff.
The other shocker was that there was at least one more survivor of Flight 815, her name was Ana Lucia, but she appears to be in cahoots with that shady bunch of ‘Others’ that captured and imprisoned Sawyer, Michael and Jin. The word ‘Other’ was used a few times in the first season, and it’s a tribute, I think, to the story that it can be used for so many groups of people on LOST, the natives were others, the tailies were others, the DI was others, in reality, all of us are others to people that don’t know us.
That’s why I liked Orientation, and why I think it changed the way I percieved the show LOST. Certainly a game changer.
WFTB – S5E1 TweetUp Transcript
Here is the transcript from last night’s WFTB (Watch From The Beginning) tweetup. Click more to see all the tweets. Enjoyed getting this final season underway. h/t to @batchout for collecting all the tweets.
Continue reading
What about Rose and Bernard?
I got asked this question:
Do you think Rose & Bernnie’s actions in “The Incident” have anything to do with Jacob’s theory that “there is only one end, everything else is just progress?”
If there is anyone who gets a raw deal from a Reset, it’s Rose and Bernard, but before I continue with my answer, I think we need to put Jacob’s comments in the proper context, the below is from Lostpedia:
BLOND MAN: I take it you’re here ’cause of the ship.
GRAY-HAIRED MAN: I am. How did they find the Island?
BLOND MAN: You’ll have to ask ’em when they get here.
GRAY-HAIRED MAN: I don’t have to ask. You brought them here. Still trying to prove me wrong, aren’t you?
BLOND MAN: You are wrong.
GRAY-HAIRED MAN: Am I? They come. They fight. They destroy. They corrupt. It always ends the same.
BLOND MAN: It only ends once. Anything that happens before that is just progress.
I think within that conversation lies the key to LOST, or at least the battle between Jacob (blond man) and MiB (Grey-haired man). The MiB has a rather nihilistic view of the world, where the players that get brought to the island always devolve into a struggle, that ends up destructive. I think Jacob takes a longer view, and that while they struggle and fight, in the end there is something worth all the pain. I think the picture we are treated to with Rose and Bernard in the incident show two people that have given up struggling and end up living peacefully. I think it’s somewhat relevant that Vincent (that some see as a sort of avatar for Jacob) settled in with R&B while the Dharma people and the natives continue struggling against each other.
In Rose and Bernard we see two people that have finally found peace in their circumstances. They may have their own little squabbles over the day to day activities, but they’re not raging against the machine, or Mib or Jacob, or fate. They’re happy.
Then the bomb goes BOOM and they get put back on that plane and Rose’s cancer returns. A reset would be totally unfair. Though they did get to live three years of bliss on the island before getting reset. I can see why many people see Rose and Bernard as perhaps the Adam and Eve skeletons, where Jack grabs the black and white rock from, and I think is still in his possession. If anyone has a chance at a ‘only ends once, everything else is just progress’ I suppose the glimpse we have of Rose and Bernard could be the archetype of what ‘progress’ looks like instead of the constant warring that goes on around them.
Did I answer the question?
LOST Game Changers – Man of Science Man of Faith
The rest of Season 1 of LOST was made of excellent, but the arc moved fairly predictably as I learned more about each character. There were some surprises, like the discovery of the mysterious hatch, the sabotaging of the raft, the mystery man Ethan Rom, the appearance of Danielle Rousseau, which kept the story moving, but nothing that stands out to me now as head turning, and game changing. The pace of Season 1 was relaxed as I was introduced to each character via their backstories, we found out some surprises, Locke was a dupe, Kate a fugitive, Boone and Shannon were secret lovers, but nothing game changing.
Then in the season finale all sorts of things happened, the raft launched, then a boat full of others kidnapped Walt (aka Waaaaaaalt) Danielle tried to kidnap Aaron, and Jack, Kate, Hurley and Locke blew up the door of the hatch. (Oh yeah, Doc Artz blew up too, that was all kinds of amazing)
Which leads to the first classic LOST mind blowing season opener. Man of Science Man of Faith, the title didn’t give much away, other than stress the building confrontation between Jack and John. The opening scene lured me into thinking, here’s another flashback, but the curiousness of the modern washer and dryer along with an old record player, then a really old exercise bike, and suddenly I’m captivated, this isn’t a flashback, this is someone new… Why does he enter Hurley’s number’s into that old computer? Why is he giving himself an injection? What was that on his coveralls. A *BOOM*, dust settling out of the ceiling from the unexpected explosion, an amory full of guns, a fancy mirror system that leads us down a dim hall, then up a shaft, then suddenly staring at the faces of Jack and John peering down out of the torch illuminated darkness.
Oh LOST how much I missed you…
This also setup the tradition of taking a few episodes to wind down from the previous seasons finale, at the end of the episode we didn’t learn anything about what happened on the raft, or to Michael, Jin and Sawyer. This was all about Jack, who we all knew as the Man of Science, and his healing of a pretty young lady that he saved from being in a car crash (the other victim, the driver, was Shannon’s father… oh LOST! you and your 6 degrees of separation) His late night run in the stadium with a mysterious Scotsman, that encourages him to hope, to have faith (Maybe Jack is also the Man of Faith?) in his abilities, then goes back to running the stadium tour with a hearty, “See you in another Life, brutha!”
The episode flew by so quickly, that I almost felt cheated… Until the final reveal of the man inhabiting the hatch, was… The man from the stadium tour! Um, guys… Where ARE we? And why do I have to wait another week to find out more!
a Family of Gleeks
I was reminded yesterday that my whole family LOVES the show Glee. We’re kinda going through minor withdrawl symptoms since the finale last week, but that should subside slightly with the onset of AI 2010, where my girls, all three of them (@sweetbippy, @Funfizzer and @TotalRenji13) will be rooting for their favorite singer in the batch while we wait for Glee’s return.
At least this year, LOST is on Tuesday nights, and won’t interfere with the American Idol results party we host every Wednesday after choir practice.
We all enjoy the songs on Glee and sing them compulsively over the next few days after an episode airs, a trend that will continue after @TotalRenji’s birthday coup of a copy of the Glee 2 soundtrack album. This is what happens when you have a family that just loves music, like all the gleeks do in that show.
Beyond the music I also love the humor, from Sue’s biting disdain for anything that isn’t her cheerios, to Brittany’s awesome non-sequiturs. I also love that the show doesn’t take itself too seriously. One of the moments that gets lost in every other moment of awesome in this show is the behind closed doors Judges meeting at Sectionals. The recurring theme of the show has been Mr. Shuester’s constant gaming of his selections by finding out and explaining what the judges will like in the performances of the show choirs. It’s hilariously funny to find out that none of the judges have any real business judging a choir competition, nor any other singing competition.
I also think they poke fun at themselves for after all the build up of the sectionals competition, we don’t get to see an over the top awards presentation ala the ending of Sister Act. I’m sure it’s to keep their powder dry for the Finals, but in the end the Sectionals should always have been won by the wonderful Gleeks of Wiliam McKinley High.
LOST Game Changers … continued – Walkabout
Okay, so I made a nice little list of episodes that I thought were game changers, ranked them in order, so I could to a top ten count down like build up thing. Then I LOST the list. Oh Irony, smite me now!
So change of plans, I’ll just blather on about the game changers that matter to me, no more rankings, and y’all can self-rank, agree, disagree or just point and laugh in mirth in the comments.
So…
Walkabout
This was the fourth hour of the LOST universe, and while the Pilot and Tabula Rasa were both wonderfully done, and had all the nice twisty turns we’ve come to love and expect from LOST, Walkabout is the one that dug the fish hook into the flesh of my cheek and hooked me into fandom.
We’d gotten some hints that Locke’s character was a bit dualistic by this point. He’d been forming a friendship with Walt, gave an impressive little solioquy about the game of backgammon, and of course the orange rind smile both entertained and creepied me out.
The opening scene of the crash and the yellow-threaded toe wriggle should have cued us in that the writer’s were going to pull one over on us. The setup set in our brain, we go back to present island time and backing Vincent, and a fuselage full of boars (not Sawyer… Jack). The scene had me leaning to an exposition of the monster, or whatever it was, but it just became a mundane normal creature, that John Locke would now become the hunter/provider of the survivors.
The secondary story of gathering kindling and firewood to torch the fuselage, while peeking at Sayid’s triangulation plan to locate the 16 year old signal. The episode had a more relaxed feel, with the ending montage of the the survivors as the fuselage burns was touching with Michael Giacchino’s soaring score.
The flash of a hunting knife, contrasted with Locke’s exposition on the details and habits of a razorback boar, had be totally bought into flashback’s tickler that Locke was a military man, but we soon realized that Colonel Locke was his name only in a fantasy role playing game he played at lunch, while getting humiliated by his boss Randy. The haunting sound of Locke’s adding machine, echoes the now telltale sign of the imminent appearance smoke monster.
The meandering stories this episode sets up so many themes that carry through the rest of the season, some even carry on into season six: caring for and memorializing the dead, figuring out more about the transmission, the hunt for food and provisions, thy mystery of the monster, destiny, “don’t tell me what I can’t do”, Nadia, Helen, the relationships between Rose and Jack, Michael and Sun, Charlie and Hurley, even Charlie and Shannon are all entertwined in a story of a boar hunt gone wrong. The ending hooks of finding out that Locke was going on a walkabout while wheelchair bound, Jack running after the guy in the blue suit to find a blood covered John Locke hauling in the corpse of the boar.
They hid a lot of things in plain sight in this episode, but within it I saw into the heart of the series, and what I saw was … beautiful.
Q: Do you think the Reset worked…
I got this question on my Formspring.me question thingy:
Do you think the Reset worked… i.e: Will Season 6 open with flight 815 landing in LA?
My short answer is still – Yes. This post should expound on why I think it’ll happen, and what that means for the rest of the final season.
The first episode has been revealed to be LA X, the comiccon videos all hinted toward a universe where Oceanic flight 815 never crashed, and people were living their lives as if the crash never happened. So either the producers are going this route, or attempting the largest head fake ever! They’ve had a habit of hiding things in plain site before, with Damon autographing a fan’s disc cover with the secret of what’s inside the hatch. He didn’t even lie a little, telling exactly what was inside, and no one really believed it.
Many have said that a reset ruins everything, as if the entire previous seasons would be washed away. I don’t really think that’s the case. There has always been a strong thread of FATE throughout the series, from Charlie’s fingers, to Locke’s insistance that everyone was there for a reason. I don’t think a reset changes all that much.
Eloise Hawking told Desmond Hume, “The universe, unfortunately, has a way of course correcting.” The proof she alluded to was the man with the red shoes, then Charlie’s eventual death. She alluded that if Desmond didn’t do the things he was supposed to do “we are all dead.” Who she meant be “we” is kind of relative isn’t it?
So if the universe course corrects, maybe Oceanic 815 was never supposed to crash, maybe what we’ve been through is a huge entire course correction, putting people back into the places they were supposed to be on September, 22 2004.
That doesn’t mean that in 2007 people are exactly where they’re supposed to be, and the drama of the first part of 2010 LOST will be the unraveling of people’s 2004 lives to get to exactly where they’re supposed to be in 2010.
Thoughts, disagreements, agreements, are all welcome in the comments.
LOST Game Changing Episodes:#9 Lockdown
Before this episode, some changes happened in the Oceanic 815 survivor camp, with Sawyer claiming some power in the camp by capturing all the guns, and becoming the new “sheriff in town”. They’ve been joined by the “Tailies” and have discovered the Swan station. Sayid was called on by Rousseau to capture a man wandering the jungle by the name of Henry Gale, whom Rousseau thought was “one of them”. I thought the others were a ramshackle bunch of jungle survivors, and the well dressed Mr. Gale didn’t really mesh with that perception.
Backstory wise, I knew about John’s relationship with his father, and with Helen, but hadn’t really nailed down some of the core parts of John’s willingness to be used as a dupe by people he thought he should trust.
This episode was a game changer, both in my perception of Locke, but also of the character of the island. The world we were discovering had just gotten bigger.
The last quarter of this episode dropped bombshell after bombshell on us after the Lockdown warning blared, and the blast door crushed John Locke’s legs. It was one of the first “water cooler” episodes where the next day everything revolved around the ‘blastdoor map’. Yet, the map was only the first of three major game changers.
The second was the supply drop, which was the reason for the Swan Station lockdown, which Jack and Kate discovered as they wondered back from the beach poker game, where Jack won back his medical supplies in a match against Sawyer. The beach scenes served as the lighter moments as Jack demonstrated his influence over the now cocky Sawyer.
The last show stopper was in the final moments, as Sayid and his partners Ana Lucia and Charlie join Jack and Kate in confronting Henry Gale, with proof that while he was right about the grave, and the hot air balloon, the real Henry Gale was an african american male from Minnesota. Henry Gale was a liar.
The acting of Michael Emerson always impressed me, his wonderfully delivered “Got Milk” soliloquy in the previous episode, had us on our toes for an ambush on Sayid’s group. Locke’s wariness after that revelation, soon led to reluctant trust, as he had to enlist his prisoner’s help in trying to get free from the main room of the Swan station after the blastdoors came down. The ticking of the clock, and the alarms blaring as the timer expired and Henry disappeared to push the button, was suddenly and jaw-droppingly forgotten as the room went dark, and neon fluorescent illuminated the laundry soap smearing of the blast door map.
This was the ultimate “we’d better watch that again” moment as so many secrets and hints were embedded in that six short seconds of screen time.